The place of passion (2)

Passion, meaning, engagement, flow, now . . .

These were some of the themes I highlighted in my last post. I wonder if all or any of these are part of the essential stuff of joy?

Passion – I think there must be a kind of passion inherent in joy; that sense of intensity, what else can we call it? But I also sense that, with age, perhaps we develop an awareness of different shadings of passion.

In the context of loving partnerships we draw a distinction between the initial fire of romantic love and the deeper rootedness of enduring love. Some class only the first as ‘passion’. It seems to me limiting to see only ‘fire’ as passion.  There is just as much intensity in the depths of a still pool. Joy is inherent in both.

If I define passion in this way, then I believe it is indeed an ingredient in the experience of joy. However, I am not at this point clear whether the relationship is as cause or effect.

Meaning – It seems to me that those experiences that people cite as bringing them joy invariably carry a deep personal significance.  These include the great ‘human’ events, such as falling in love, marriage, birth. They include specific relationships – with partners, with children, with friends, with pets. Then there is the response to nature and natural beauty, to the arts, or to religious experience

We respond to those things we find ‘meaning-full’ in some way. However, when I look at all of these, what strikes me is that what underlies our joyful response is a sense of connection beyond ourselves to another being – human, animal or divine – or to nature and/or the universe.

So my question her is, is what is important connection and does our perception of meaning first require a sense of connection? In a world that is, superficially, increasingly connected yet in which at a deeper level there is anomie and rootlessness, this would explain the lack of a clear sense of and capacity for joy.

Engagement, flow and ‘nowness’ – I think it is almost impossible to experience joy unless you are fully present. Therefore it this trio seem increasingly to be pre-conditions for cultivating a capacity for joy.

White Night (2)

“But I haven’t seen any art!”

A snatch of conversation overheard more than once during Toronto’s Nuit Blanche.

I think one of the best things about this annual all-nighter is that it reminds one of how artificial boundaries are.

What captivated us was the sense of a city street party for over a million people, the reconnection with childlike joy and wonder, and, in the better installations, a sense of seeing the world through fresh eyes. Maybe not high art, but fulfilling at least something of artistic purpose as I define it.

I think joy, in this context, is rooted in the excitement of the unexpected, in wonder and, perhaps most of all, in conectedness.

Highlights?

  • Small installations by the Artists Cooperative of Canada at Spadina Museum, a garden walk reminiscent of magical prep-school ghost walks (with the bonus of Casa Loma and the view across the night city)
  • The hypnotic calm of a forest of lights and white, feather-fronds in the Atrium of the Royal Conservatory, itself a glorious blend of old and new (Philip Beesley’s Aurora) – video coming soon!  I already know and love the Conservatory’s fabulous Koerner Hall, where a solitary ghostly pianist took to the stage . . .

  • Spotlights (of unknown origin) picking up night clouds as if in some giant night-club as we stood in one of many line-ups (queues)
  • Flaming Pine Cone sculptures outside Campbell house – simple, mesmerizing, beautiful (I want one!)
  • The surprising delicacy of Auto Lamp, a white van punctured by brilliant light, shimmering light-flakes across the buildings at Yonge and Queen

  • CRUZE Remix, a definition defying combination of car show room, multiple projections screens, driving track through moving patterns of intelligent light inspiring live mixing of music  and video, a hand-painted car – this more than anything else made me question my need for definitions and boundaries as commercial promotion and spectacle intertwined!

It is easy to be cynical and dismissive – there are always critics. But, as well as enjoying the spectacle, we relished the unwaveringly amiable crowd (even when crushed tighter than sardines on the subway at 3 a.m.) Our evening was  not darkened by drunkenness or anti-social behaviour; I have read that, with bars unusually open until 4am, eventually a point is reached, but, in the seven hours or so we were on the streets, we saw almost none.

If culture is the glue that holds a society together, then without doubt Nuit Blanche is a significant cultural event – I felt truly part of an amazing city in a way I have not experienced anywhere else. It may or may not be ‘art’; but its weird and wonderful happenings do possess a positive power to bring people together, to inspire and illuminate. Toronto would be the poorer without its White Night.

White Night . . .

Our first Nuit Blanche in Toronto is almost here! With a joyous synchronicity, one of the many installations this year is a piece by Philip Beesley, Aurora, described as a ‘responsive forest of light’.

Hopefully Saturday night will be short on sleep but rich in weird, wonder and joy! Can’t wait!

At its core, Nuit Blanche is a 12-hour event with a mandate to make contemporary art accessible to large audiences, while inspiring dialogue and engaging the public to examine its significance and impact on public space. Nuit Blanche is both a “high art” event and a free populous event that encourages celebration and community engagement. From sunset to sunrise city spaces and neighbourhoods are transformed into temporary exhibitions. Unusual or forbidden spaces become sites of contemporary art open for all-night discovery and rediscovery. Cultural institutions, from museums to galleries to artist run centres, open their doors and offer free access to contemporary art. The everyday is suspended as the city’s landscape is changed to welcome a variety of artistic experiences.