Frameworks for Happiness (1)

There seems to be a certain timeliness in my exploration of joy; with governments looking at indicators of ‘happiness’ and businesses aspiring to ‘deliver happiness’, one can’t help but hope for a sea-change in values and motivations!

Increasingly I find many of the same words cropping up in discussions of models of happiness that I relate to joy; connectedness, flow, engagement, meaning.

In attempting to understand joy, it therefore seems important also to look at happiness in an attempt to grasp what connects and what differentiates them.

Tony Hsieh (CEO of Zappos), in his book Delivering Happiness: A Path to Profits, Passion, and Purpose, offers an interesting selection of frameworks through which to view happiness. I am including two of these, with some commentary, in this and a subsequent post. (You can find these and more in the Resources section of the Delivering Happiness website)

In looking at this model, my sense is that perceived control (the ability to impact on outcomes) and perceived progress (some sense of forward motion) are vital to one’s sense of wellbeing and happiness, but not necessarily a component part of joy – interesting that both require a time dimension.

However, connectedness and vision/meaning seem to me to be key to the experience of joy.

In the context of connectedness, I found particularly interesting the conclusion (from The Happiness Hypothesis by Jonathan Haidt) that

. . . happiness doesn’t come primarily from within but, rather, from between.

Vision and meaning are seen in this model as giving us our internal sense of value. However, as indicated in earlier posts, I would also suggest that there is also a need to develop skills in the creation of meaning – meaning does not simply exist outside of ourselves as something we must find but is something that we have the power to bring to our experience of living.

What do you perceive as the connectors and differentiators of happiness and joy? (Please comment!)

The song of ‘now’

If joy is fundamentally a way of being, then I think that it must also be rooted in the experience of ‘now-ness’.  Only when you are attentive and in the present moment can you connect fully to what is around you and just ‘be’. Yet sometimes it seems so difficult to bring ourselves to that place.

I recently came across the rather lovely suggestion that one very important part of what music gives us is a way of learning to be in the moment – you do not look forward to the end of the song, you enjoy the experience of it!

If we are able more and more to bring this awareness into our living, can we perhaps learn to sing the song of ‘now’?

Where is YOUR Joy?

Just over a week ago I attended a short workshop on joy. Facilitator Belinda Ageda has just posted a follow up interview on her blog, which I think beautifully illuminates the nature of joy.

Like Belinda, I feel that joy is somewhat ‘slippery’ as an idea but I also agree with her in that for me it is more a way of being than a feeling. I love her description of it as

a fine dust that covers everything . . .

Go to her site and watch the interview for more insights!

Wellness and Joy

Health, Food and Creativity - Wellness CelebrationIf you are living in Toronto and are interested in exploring the place of joy, you won’t want to miss this year’s Wellness Celebration of Health, Food, Creativity.

This will take place at Luc Sculpture and Yuri’s Village (Greenwood and Danforth) and takes as its theme “The Joy in Your Life” – I just know it’s going to be awesome!

White Night (2)

“But I haven’t seen any art!”

A snatch of conversation overheard more than once during Toronto’s Nuit Blanche.

I think one of the best things about this annual all-nighter is that it reminds one of how artificial boundaries are.

What captivated us was the sense of a city street party for over a million people, the reconnection with childlike joy and wonder, and, in the better installations, a sense of seeing the world through fresh eyes. Maybe not high art, but fulfilling at least something of artistic purpose as I define it.

I think joy, in this context, is rooted in the excitement of the unexpected, in wonder and, perhaps most of all, in conectedness.

Highlights?

  • Small installations by the Artists Cooperative of Canada at Spadina Museum, a garden walk reminiscent of magical prep-school ghost walks (with the bonus of Casa Loma and the view across the night city)
  • The hypnotic calm of a forest of lights and white, feather-fronds in the Atrium of the Royal Conservatory, itself a glorious blend of old and new (Philip Beesley’s Aurora) – video coming soon!  I already know and love the Conservatory’s fabulous Koerner Hall, where a solitary ghostly pianist took to the stage . . .
  • Monument to Smile – unexpectedly heart-warming, smiling Torontonian faces projected across the facade of Holt Renfrew, accompanied by Charlie Chaplin’s song of the same name
  • Spotlights (of unknown origin) picking up night clouds as if in some giant night-club as we stood in one of many line-ups (queues)
  • Flaming Pine Cone sculptures outside Campbell house – simple, mesmerizing, beautiful (I want one!)
  • The surprising delicacy of Auto Lamp, a white van punctured by brilliant light, shimmering light-flakes across the buildings at Yonge and Queen
  • CRUZE Remix, a definition defying combination of car show room, multiple projections screens, driving track through moving patterns of intelligent light inspiring live mixing of music  and video, a hand-painted car – this more than anything else made me question my need for definitions and boundaries as commercial promotion and spectacle intertwined!

It is easy to be cynical and dismissive – there are always critics. But, as well as enjoying the spectacle, we relished the unwaveringly amiable crowd (even when crushed tighter than sardines on the subway at 3 a.m.) Our evening was  not darkened by drunkenness or anti-social behaviour; I have read that, with bars unusually open until 4am, eventually a point is reached, but, in the seven hours or so we were on the streets, we saw almost none.

If culture is the glue that holds a society together, then without doubt Nuit Blanche is a significant cultural event – I felt truly part of an amazing city in a way I have not experienced anywhere else. It may or may not be ‘art’; but its weird and wonderful happenings do possess a positive power to bring people together, to inspire and illuminate. Toronto would be the poorer without its White Night.